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Recode Studio is a brand new XR & Virtual Production Studio based in Manchester.

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Sony Wireless Plug

The Sony Transmitter / Receiver turns most microphones into a wireless unit. So you can make your 416 Boom wireless or your reporters SM58 Battery Operating Time is approx eight hours with quality AA-size alkaline batteries (not supplied). TV-Channel 21-30 Carrier Frequency is CE21: 470.025 MHz to 542.000 MHz

£ 25.00 excl. VAT

Sony Venice CineAlta

The Sony Venice has a 36x24mm full-frame image sensor, and the AXS-R7 supports both RAW and X-OCN recording of MPEG HD (fixed FPS only), HD ProRes*, XAVC 4K* and XAVC QFHD. 15 stops of Dynamic Range and 17:9 with full height 2x squeeze Anamorphic.

£ 750.00 excl. VAT

Sony PXW X200

Sony PXW-X200 (PXWX200) XDCAM Solid State Memory Camcorder with 1/2-inch Exmor 3CMOS Sensor. The Sony PXW-X200 XDCAM Handheld Camcorder is the successor to Sony's PMW-200, featuring three 1/2" Exmor CMOS sensors with higher sensitivity and improved signal-to-noise ratio. It records up to 1080p60 video using the efficient XAVC Intra and Long GOP codecs with 4:2:2 10-bit sampling. To fit into existing workflows, MPEG HD422, HD420, and DV recording options are available. The camcorder is equipped with a 17x Fujinon zoom lens with a 35mm equivalent focal range of 29.3-498.7mm. The lens has independent focus, zoom, and iris control rings with hard stops, offering full manual control. Zoom Ratio 17x (optical), servo/manual Focal Length f = 5.6-95.2 mm (35 mm equivalent: 29.3-499 mm) Iris F1.9-F16 and close, auto/manual selectable

£ 120.00 excl. VAT

Sony PXW FX9

The latest camera from Sony, the PXW-FX9 (Sony FX9) builds on the success of the popular PXW-FS7, with all the familiar features and setup of the FS7, but with a fantastic 6K Full frame sensor, giving improved image quality, shallower depth of field, and incredible low-light capabilities within the same popular and familiar, ergonomically-designed body. This is a really solid addition to Sony’s FX Range, and this camera is positioned beneath the Sony Venice, and above the ILME-FX6. 6K oversampled sensor allows stunning 4K, UHD and HD, in full frame or with a Super35mm sensor crop if you are using APSC lenses. Dual Base ISO of 800/4000, with 15 stops of Dynamic range. S-Cinetone Colour Science as default, which was developed by the same expertise who designed the stunning colour science present in this camera’s bigger brother, the Sony Venice. Our kits come with a HawkWoods rear plate to allow

£ 225.00 excl. VAT

Sony PXW FS7

Sony’s PXW-FS7 4K CMOS Camera features a 4K Super 35mm Exmor CMOS sensor and support for shooting in 4K 50p or Full HD at rates up to 180 fps. Selectable recording formats include XAVC, which supports 4K 50p, HD 50p in 4:2:2 10-bit recording, as well as the common MPEG-2 HD 422 format used by many broadcast stations around the world. Features a Sony E Mount, which can be converted to EF mount using the familiar Sony Metabones adapter (£25 addition ex VAT), allowing you to use standard L Series lenses as well as EF Mount Cinema Primes.

£ 125.00 excl. VAT

Sony PVM-2541 OLED

25″ Sony Professional OLED Director / Grading Monitor Full HD 10-bit quality in flexible compact design The PVM-2541 “All in one” OLED picture monitor delivers outstanding, full-HD RGB 10-bit driver picture quality and professional features in a lightweight, compact design. Flexible mount options make the 25-inch monitor ideal for desktop editing, office viewing, studio monitor walls and OB vans. Superb picture performance The Super Top Emission OLED display panel benefits from TRIMASTER EL technology. It offers superb black performance, wide colour gamut and quick response with virtually no motion blur. By combining the Sony OLED display panel (Full HD, 10-bit driver) and Sony’s OLED processing technologies, the PVM-2541 OLED monitor delivers groundbreaking picture quality. Input Composite Input BNC (x1), 1.0 Vp-p ±3dB sync negative SDI Input BNC (x2) HDMI Input HDMI (x1) (HDCP correspondence) Audio Input Stereo mini jack (x1), -5 dBu 47 kΩs or higher Parallel Remote Modular connector

£ 125.00 excl. VAT

Sony PVM A170

Sony 17″ PVM-A170 TriMaster OLED HD-SDI directors monitor, with waveform monitor, vector scope, and audio level meter display. All of our 17 inch monitors come mounted in operational flight case with Sunshade, a wheeled Low Boy Stand and BNC Cabling (5-7m approx, let us know how much you require). Additional power options of 12v DC power or V-Lock Battery Adapter plate, if you let us know your setup. Perfect for Studio shoots, with a big enough display for several people to see the camera output in clear HD. Also supports HDMI and Composite.

£ 95.00 excl. VAT

Sony PMW 300

PMW 300 Hire Sony’s newest addition to the PMW XDCam camera range. The PMW-300 (PMW300) has all the benefits of the PMW-200 (PMW200) but with the same LCD viewfinder as used on the Sony PMW-F5 and F55 4K Cinema Cameras. Pull out and adjustable shoulder pad makes this a semi-shoulder mount camera, making it more versatile than the smaller broadcast cameras. This would sit between the PMW-200 (PMW200) camera and PMW-500 (PMW500) camera in the Sony PMW camera range, as a full HD version of the popular PMW-EX3 camera. This meets full BBC HD standards, 422 50Mbit/s and has a 14x zoom lens. We think this is a fantastic camera, exceptionally well built with nice touches such as adjustable hand grip/zoom rocker, and with the familiar PMW range menu layout. Records to Sony SxS cards. This camera will also support the new XAVC 100MBit/s codec, which will be available in

£ 115.00 excl. VAT

Sony LMD-940W 9″

Lightweight field monitor that’s ideal for all types of filming. Can be connected to the vast majority of cameras, and provides a clear, bright image that is ideal for lighting and can even be used for focus pulling on 35mm censor cameras. Protective Portabrace Field cover with sun hood and powered by mains supply or V-Lock Battery. SDI input/output that switches between HD-SDI and SD-SDI, and is also capable of accepting a 3G HD-SDI signal. It supports composite video input/output, and features HDMI inputs.

£ 50.00 excl. VAT

Sony ILME-FX3 Camera

The Sony FX3 Full-frame Cinema Line camera was designed for solo-shooting . With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations. It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus, Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On

£ 120.00 excl. VAT

Sony ILME FX6

The FX6 is Sony’s new ‘in the middle’ of their FX range, also comprising the ILME-FX3 (FX3) and PXW-FX9 (FX9). This sits very nicely in the middle slot of the range, to make it a very useful camera for a wide range of projects. It’s lightweight, but records outstanding 4K full frame quality at up to 120p. The FX6 has recently been approved for Netflix projects. Excellent low light capabilities with a 409,800 maximum ISO, and a wide dynamic range with it’s 10.2 Megapixel Exmor R CMOS sensor. Much like it’s bigger brother the FX9, the FX6 can shoot S-LOG3 and S-CINETONE picture profiles, as well as having features to make it a very ‘run and gun’ camera; real-time eye autofocus, real-time touch tracking and customisable autofocus tracking sensitivity. Like the others in the Sony Alpha range, this is a native E-Mount, so if you plan to use Canon mount

£ 160.00 excl. VAT

Sony FE 70-200mm

Sony’s telephoto zoom lens in the GMaster range of lenses. Very useful focal length for getting those close up shots, as 200mm is ample for most situations, but at 70mm at it’s widest you are not totally limited to purely close ups.

£ 45.00 excl. VAT

Sony FE 50mm

Sony’s 50mm in the GMaster range of lenses. Great optical quality through a Sony E-Mount, supporting the outstanding facial-recognition autofocus features of the Sony FX and ILME range of cameras.

£ 45.00 excl. VAT

Sony FE 35mm

Sony’s 35mm Prime lens in the G Master range of lenses. Great optical quality through a Sony E-Mount, supporting the outstanding facial-recognition autofocus features of the Sony FX and ILME range of cameras.

£ 45.00 excl. VAT

Sony FE 24-70mm

The classic walkaround lens, when you don’t need the speed or autofocus that the G Master (f2.8) offers, and keeps yor budget down. It’s still a solid workhorse of a lens, and great in a variety of situations, especially filming outside when low light is not an issue.

£ 30.00 excl. VAT

Sony FE 24-70mm

Sony’s classic ‘walkaround’ lens in the GMaster range of lenses. 24-70 is a go-to choice for most shoots, particularly if you are only taking one lens or not able to do regular swaps, as 24mm is wide enough for a majority of situations, and at 70mm you have enough reach to get your closer up shots.

£ 45.00 excl. VAT

Sony FE 16-35mm

Sony’s versatile wide angle zoom lens in the GMaster range of lenses. Great optical quality through a Sony E-Mount, supporting the outstanding facial-recognition autofocus features of the Sony ILME range of cameras.

£ 45.00 excl. VAT

Sony FE 14mm

Wide-angle prime lens which fits natively to E-Mount cameras such as the PXW, ILME and A7 Mirrorless range of Sony cameras. It is also faster than it’s Canon counterpart at f1.8 instead of f2.8.

£ 45.00 excl. VAT

Sony Dual Radio

Sony Dual Radio Mic Kit UTX-B40/URX-P03D – gives 2 Transmitters into a single receiver. These can then be split into 2 channels via XLR, or if you are using a Sony camera, can be connected through the Hot Shoe. This has the extra advantage of going into camera Channels 3 and 4 – meaning you can can 2 mics into the XLR slots and these radio mics, giving 4 channels of audio with 1 camera.

£ 60.00 excl. VAT

Sony a7s MkIII

With extreme full-frame movie performance including high sensitivity (expanded ISO up to 409600), 15-stop wide dynamic range, 4K 120p, fast and dependable autofocusing, and extra-strong image stabilisation, the α7S III again raises the bar even further for movie makers. The Sony A7S III Full-Frame Mirrorless Camera takes the Sony Alpha series to a whole new level of full-frame movie expression. Іt’ѕ еquірреd wіth а new Ехmоr R 12МР Full Frame ВЅІ Ѕеnѕоr which has been paired with the nеwlу dеѕіgnеd ВІОNZ ХR Рrосеѕѕіng еngіnе. This prоvіdеѕ uр tо 8х fаѕtеr реrfоrmаnсе оvеr рrеvіоuѕ mоdеlѕ, reduced rolling shutter, 15 stops of dynamic range, extra-strong image stabilisation, ultra-low-noise & exceptional low light performance. Іt’ѕ vіdео сараbіlіtіеѕ offer up to 4К 120Р (4:2:2 10bіt) rесоrdіng аnd FНD 240Р fоr ѕtunnіng ѕlоw-mоtіоn video. New versions of XAVC feature the addition of HEVC/H.265 encoding or ALL-I encoding. Improved colour science which draws inspiration from Sony’s

£ 110.00 excl. VAT
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